In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
You'll wish it were only a nightmare...When a summer camp at idyllic Crystal Lake reopens 25 years after the tragic drowning of a young boy named Jason, the woods fill with the happy squeals of young campers and the sight of the furtive couplings of libidinous counsellors. But when a violent rainstorm isolates the lake, one-by-one the counsellors are horribly murdered in this film that launched a modern horror genre.
Projected on 35mm at 7:30 PM thanks to See It On 16mm. Touring around 16mm prints since 2020
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
You'll wish it were only a nightmare...When a summer camp at idyllic Crystal Lake reopens 25 years after the tragic drowning of a young boy named Jason, the woods fill with the happy squeals of young campers and the sight of the furtive couplings of libidinous counsellors. But when a violent rainstorm isolates the lake, one-by-one the counsellors are horribly murdered in this film that launched a modern horror genre.
Projected on 35mm at 7:30 PM thanks to See It On 16mm. Touring around 16mm prints since 2020
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
When a washed-up actor returns to Belgium to find tranquillity, he finds himself involved in a bank robbery. Police believe him to be the perpetrator of the robbery, so he plays both roles of criminal to the police and hero to the hostages.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Playing as part of Kyle’s Styles!
Secluding herself in an island mansion in the Mediterranean with her servants and nurses, the wealthy Flora "Sissy" Goforth (Elizabeth Taylor) prepares for her impending death -- and she isn't the only one who's waiting. Known for his attraction to the dying; rich, poet Chris Flanders (Richard Burton) ingratiates himself with the wilting Sissy. Although her friend the Witch of Capri (Noel Coward) explains Flanders' "Angel of Death" nature to her, Sissy embraces the vulture-like Flanders
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts. Aimlessly passing their days in the concrete environs of their dead-end suburbia, Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd Taghmaoui)—a Jew, an African, and an Arab—give human faces to France’s immigrant populations, their bristling resentment at their marginalization slowly simmering until it reaches a climactic boiling point. A work of tough beauty, La haine is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Academy Award winners Robin Williams, Al Pacino and Hilary Swank star in a thriller set in the land of the midnight sun, where a the mind of even a tough cop can be threatened by Insomnia. Under the glare of the permanent Alaska sun, two veteran Los Angeles police officers close in on their suspect in the murder of a teenage girl. But when officer Will Dormer (Pacino) accidentally shoots his partner, their murder suspect, reclusive novelist Walter Finch (Williams), witnesses the shooting--and blackmails Dormer. Now, as an idealistic local detective (Swank) investigates the case, and the stakes rise, Dormer's sanity begins to falter.
Presented on 35mm by Odyssey Film Institute. Dedicated to the exhibition of cinema on celluloid film. Screenings, Projection Workshops, and Discussions. All exhibited in 16mm and 35mm film.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Cheryl Dunye made cinematic history with The Watermelon Woman, the first American feature to be directed by a black lesbian as well as an incisive, humorous critique of classic Hollywood's racist stereotypes. Dunye plays an eponymous video store employee and burgeoning filmmaker who sets out to make a documentary on the Watermelon Woman (Lisa Marie Bronson), an actress who specialized in "mammy" roles for Hollywood productions of the 30s and 40s. As Cheryl uncovers the Watermelon Woman's identity she not only learns about a secret behind-the-scenes interracial romance but also begins one of her own with Diana (Guinevere Turner), a white woman who arouses the ire of Cheryl's best friend Tamara (Valerie Walker). A landmark of the New Queer Cinema, The Watermelon Woman testifies to the power of excavating legacies of oppression and in the process creates a progressive legacy of its own.
Unpopular best friends PJ and Josie start a high school fight club to meet girls and lose their virginity. They soon find themselves in over their heads when the most popular students start beating each other up in the name of self-defense.
River Phoenix and Keanu Reeves star in this haunting tale from Gus Van Sant about two young street hustlers: Mike Waters, a sensitive narcoleptic who dreams of the mother who abandoned him, and Scott Favor, the wayward son of the mayor of Portland and the object of Mike’s desire. Navigating a volatile world of junkies, thieves, and johns, Mike takes Scott on a quest along the grungy streets and open highways of the Pacific Northwest, in search of an elusive place called home. Visually dazzling and thematically groundbreaking, My Own Private Idahois a deeply moving look at unrequited love and life on society’s margins.
Megan (Natasha Lyonne) considers herself a typical American girl. She excels in school and cheerleading, and she has a handsome football-playing boyfriend, even though she isn't that crazy about him. So she's stunned when her parents decide she's gay and send her to True Directions, a boot camp meant to alter her sexual orientation. While there, Megan meets a rebellious and unashamed teen lesbian, Graham (Clea DuVall). Though Megan still feels confused, she starts to have feelings for Graham.
A timeless story of human connection and self-discovery, Moonlight chronicles the life of a young black man from childhood to adulthood as he struggles to find his place in the world while growing up in a rough neighborhood of Miami. At once a vital portrait of contemporary African-American life and an intensely personal and poetic meditation on identity, family, friendship, and love, Moonlight is a groundbreaking piece of cinema that reverberates with deep compassion and universal truths. Anchored by extraordinary performances from a tremendous ensemble cast, Barry Jenkins’s staggering, singular vision is profoundly moving in its portrayal of the moments, people, and unknowable forces that shape our lives and make us who we are.
Director Toshio Matsumoto’s shattering, kaleidoscopic masterpiece is one of the most subversive and intoxicating films of the late 1960s: a headlong dive into a dazzling, unseen Tokyo night-world of drag queen bars and fabulous divas, fueled by booze, drugs, fuzz guitars, performance art and black mascara. No less than Stanley Kubrick cited the film as a direct influence on his own dystopian classic A Clockwork Orange. An unknown club dancer at the time, transgender actor Peter (from Kurosawa’s Ran) gives an astonishing Edie Sedgwick/Warhol superstar-like performance as hot young thing Eddie, hostess at Bar Genet — where she’s ignited a violent love-triangle with reigning drag queen Leda (Osamu Ogasawara) for the attentions of club owner Gonda (played by Kurosawa regular Yoshio Tsuchiya, from Seven Samuri and Yojimbo). One of Japan’s leading experimental filmmakers, Matsumoto bends and distorts time here like Resnais in Last Year at Marienbad, freely mixing documentary interviews, Brechtian film-within-a-film asides, Oedipal premonitions of disaster, his own avant-garde shorts, and even on-screen cartoon balloons, into a dizzying whirl of image + sound.
Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
Popular film director Pablo Quintero (Eusebio Poncela) has found a new love in the form of handsome blue-collar Juan (Miguel Molina). Not altogether comfortable with his lifestyle, Juan decides to leave Pablo for a while to contemplate his future. Pablo insists that Juan keep in touch by sending him love letters. Ever the director, he plans to write the letters himself, and have Juan mail them back with his signature. If you think that settles things, you don't know filmmaker Pedro Almodóvar.
Among the many plot complications in Law of Desire is Pablo's subsequent romance with the possessive Antonio (Antonio Banderas, whose "gay kiss" in the film prompted front-page headlines in the Brazilian press), and Pablo's efforts to film the life story of his sister (Carmen Maura), who started out life as his brother.
Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag ball scene. Made over seven years, Paris Is Burning offers an intimate portrait of rival fashion “houses,” from fierce contests for trophies, to house mothers offering sustenance in a world rampant with homophobia and transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women—including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza—Paris Is Burning brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.
The legendary midnight movie sensation that firmly embedded samurai mythology within American pop culture consciousness, this English-dubbed reedit of the first two films in the classic Japanese chanbaraseries Lone Wolf and Cub is a giddily entertaining, mesmerizingly gory classic of East-meets-West grindhouse mayhem. Following the murder of his wife at the hands of an evil shogun, an avenging ronin (Tomisaburo Wakayama) roams the countryside with his young son—and the boy’s sword-shooting baby carriage—in tow, dispatching ninja assassins with steely resolve in operatically stylized flurries of hallucinatory violence. With its pulsing synth soundtrack (cowritten by Mark Lindsay of Paul Revere & the Raiders) and delirious action set pieces—kinetically edited whirlwinds of flashing blades, spurting blood, and severed limbs—Shogun Assassin proved an instant cult favorite that has bubbled its way up from the underground to the mainstream thanks to its influence on artists ranging from the Wu-Tang Clan to Quentin Tarantino.
Stand-Up Comedy at the Balboa Theatre
A Packed Lineup of shorter sets for up and coming Bay Area comedians during the first half of the show, with an intermission to grab another beer or popcorn from the lobby or that right on time bathroom break. The second half of the show features national touring and veteran comedians…With surprise pop-in guest sets.
A night of laughs in the Richmond District you will not want to miss!
Headliner: Clark Jones
Host: Jerry Law
Feat.: PX Floro, Brooke Heinechen, Kaseem Bentley, Elisha Tan, and Casilda Gonzales.
In this cult classic, sweethearts Brad (Barry Bostwick) and Janet (Susan Sarandon), stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter (Tim Curry), a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker (Meat Loaf) and a creepy butler (Richard O'Brien). Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named "Rocky."
Presented on VHS by @warpedvhs
Behind a young family's home in Maine is a terrible secret that holds the power of life after death. When tragedy strikes, the threat of that power soon becomes undeniable.
Presented by Gallery 3630
Directed by Tony Silver and produced by Tony Silver and Henry Chalfant, it was awarded the Grand Prize for Documentaries at the 1983 Sundance Film Festival. Style Wars is regarded as the indispensable document of New York Street culture of the early ’80s, the filmic record of a golden age of youthful creativity that exploded into the world from a city in crisis.
Style Wars captured the look and feel of New York’s ramshackle subway system as graffiti writers’ public playground, battleground and spectacular artistic canvas. Opposing them by every means possible were Mayor Edward Koch, the police, and the New York Transit Authority. Meanwhile MCs, DJs and B-boys rocked the city with new sounds and new moves and street corner breakdance battles evolved into performance art.
New York’s legendary kings of graffiti and b-boys own a special place in the hip hop pantheon. Style Wars has become an emblem of the original, embracing spirit of hip hop as it reached out across the world from underground tunnels, uptown streets, clubs and playgrounds.
Ladies and Gentlemen…
Danny’s Live Dead….
Travel back in time with us as we revisit the Fillmore East circa 1971.
Garrett Deloian - Jerry’s Middle Finger
Danny Luehring - Phil & Friends
Kevin White - Terrapin Allstars
Danny Eisenberg - Phil & Friends
Join Garrett Deloian and friends as they dive into obscure covers and deep soul cut’s. Expect to hear everything from The Coasters to King Crimson. Bring your dancing shoes!
Garrett Deloian - Jerry’s Middle Finger
Danny Luehring - Phil & Friends
Kevin White - Terrapin Allstars
Danny Eisenberg - Phil & Friends
What Would Jerry Do? He’d play the hit’s of course!
Enough said...
Garrett Deloian - Jerry’s Middle Finger
Danny Luehring - Phil & Friends
Kevin White - Terrapin Allstars
Danny Eisenberg - Phil & Friends
Opera-loving European Brian Fitzgerald (Klaus Kinski) lives in a small Peruvian city. Better known as Fitzcarraldo, this foreigner is obsessed with building an opera house in his town and decides that to make his dream a reality he needs to make a killing in the rubber business. In order to become a successful rubber baron, Fitzcarraldo hatches an elaborate plan that calls for a particularly impressive feat -- bringing a massive boat over a mountain with the help of a band of natives.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
There's something going on behind the white picket fences of Lumberton, North Carolina. And after stumbling upon a severed human ear in a field, mystery-loving college student Jeffrey Beaumont is determined to find out what. Teaming up with the daughter of a local police detective, Jeffrey's investigation leads him into a strange world of sensuality and violence, with the intrigue of the missing ear seemingly stemming from the relationship between a troubled nightclub singer and a sociopathic sadomasochist.
Presented on 35mm by Odyssey Film Institute. Dedicated to the exhibition of cinema on celluloid film. Screenings, Projection Workshops, and Discussions. All exhibited in 16mm and 35mm film.
Strange movies presented by Kai Wada Roath at the haunted & historic Balboa theater in San Francisco!
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Oliver Stone's homage to 60's rock group The Doors also doubles as a biography of the group's late singer, the "Electric Poet" Jim Morrison. The movie follows Morrison from his days as a film student in Los Angeles to his death in Paris in 1971, at the age of 27. The movies features a tour- de-force performance by Val Kilmer, who not only looks like Jim Morrison's long-lost twin brother, but also sounds so much like him that he did much of his own singing. It has been written that even the surviving Doors had trouble distinguishing Kilmer's vocals from Morrison's originals.
Presented on 35mm by Odyssey Film Institute. Dedicated to the exhibition of cinema on celluloid film. Screenings, Projection Workshops, and Discussions. All exhibited in 16mm and 35mm film.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
"Alice’s Adventures in Wonderland” meets the freewheeling invention of French New Wave gamesman Jacques Rivette in this giddy surrealist fantasia. When magician Céline (Juliet Berto) meets librarian Julie (Dominique Labourier), it’s not long before they are launched through the looking glass and straight into a labyrinthine comic adventure involving a haunted house, psychotropic candy, and a murder mystery as, all the while, the line between illusion and reality grows ever fainter.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Alex Garland, writer of 28 Days Later and Sunshine,makes his directorial debut with the stylish and cerebral thriller, Ex Machina. Caleb Smith (Domhnall Gleeson), a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company's brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test—charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan’s latest experiment in artificial intelligence. That experiment is Ava (Alicia Vikander), a breathtaking A.I. whose emotional intelligence proves more sophisticated––and more deceptive––than the two men could have imagined.
Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored of him and decides to seduce Johnny's best friend, Mark. From there, nothing will be the same again.
An insane independent film director and his renegade group of teenage filmmakers kidnap an A-list Hollywood actress and force her to star in their underground film.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Alternately distressing, instructive, contestable, and fascinating, Juliet Bashore’s quasi-documentary plunge into the 1980s porn industry takes an unsparing look at issues of misogyny, drug abuse, and exploitation via the story of two women—the naive newcomer Tigr and her partner, the magnetic, imperious porn veteran Sharon Mitchell — caught in a toxic romance.
By turns mesmerizing and unsettling, Kamikaze Hearts is both a fascinating record of pre-gentrification San Francisco’s X-rated underground and an intense, searing love story. The film offers a disturbing glimpse of the modification of bodies, feelings, and lives. (Kino Lorber)
About the director:
Juliet Bashore is an American filmmaker. She is best known for her award-winning feature film Kamikaze Hearts, a pseudo-documentary set in the Golden Age of Porn in San Francisco.
About the star:
Sharon Mitchell is an American sexologist and former pornographic film actress and director. In 1998, she founded the Adult Industry Medical Health Care Foundation.
In Wes Anderson’s latest, wealthy businessman, Zsa-zsa Korda (Benicio del Toro) appoints his only daughter (Mia Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Widely considered the most important film in the history of Ukranian cinema, Sergei Parajanov’s Shadows of Our Forgotten Ancestors is a masterwork that boldly combines folkloric pageantry, fairy tale mysticism, and frenetic, hallucinatory cinematography. Adapted from Mykhailo Kotsiubynsky’s novel, Shadows tells the story of Ivan (Ivan Mykolaichuk), a young Hutsul peasant who witnesses his father’s murder by the local miser. Years later, Ivan falls in love with the miser’s daughter, Marichka (Larisa Kadochnikova), but her shocking death leaves him wallowing in grief until he meets Palahna (Tatyana Bestayeva), a beautiful woman who seems to restore his faith in life and hope for the future. When the ghost of Marichka begins to haunt Ivan, however, Palahna is driven into the arms of the local sorcerer (Spartak Bagashvili), with tragic results. Shadows is steeped in the earthy atmosphere of the Carpathian mountains; filmed by Parajanov and cinematographer Yuri Ilyenko with an eye for constantly innovative camera movements and vivid color; and suffused by Hutsul culture in the form of composer Myroslav Skoryk’s collage-like score, which brings together Ukrainian folk melodies with modernist, experimental orchestration. It is one of cinema’s singular productions, capturing the spiritual majesty of the past by creatively forging the medium’s future.
Suburban dad Craig (Tim Robinson) falls hard for his charismatic new neighbor (Paul Rudd), as Craig’s attempts to make an adult male friend threaten to ruin both of their lives.
When Sally hears that her grandfather’s grave may have been vandalized, she and her paraplegic brother set out with their friends to investigate. After a detour to their family’s old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface, who wears a mask of human skin, the survivors must do everything they can to escape.
Projected on 16mm thanks to See It On 16mm. Touring around 16mm prints since 2020
Suburban dad Craig (Tim Robinson) falls hard for his charismatic new neighbor (Paul Rudd), as Craig’s attempts to make an adult male friend threaten to ruin both of their lives.
When Sally hears that her grandfather’s grave may have been vandalized, she and her paraplegic brother set out with their friends to investigate. After a detour to their family’s old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface, who wears a mask of human skin, the survivors must do everything they can to escape.
Projected on 16mm thanks to See It On 16mm. Touring around 16mm prints since 2020
Suburban dad Craig (Tim Robinson) falls hard for his charismatic new neighbor (Paul Rudd), as Craig’s attempts to make an adult male friend threaten to ruin both of their lives.
Co-Presented by Fine Arts Museum of San Francisco. In connection with their ongoing exhibition Isaac Julien: I Dream a World (April 12 - July 13, 2025 at the de Young Museum).
About the Film
Isaac Julien’s classic YOUNG SOUL REBELS has been restored to its original director’s cut in a stunning 4K version overseen by Julien and the film DP, Nina Kelgren. Set in the late 1970’s, the film revolves around race clashes and examines the inter- action between youth cultural movements — namely skinheads, punks, and soulboys — along with the social, political, and cultural tensions between them. The film won the Critic’s Prize at the 1991 Cannes Film Festival and has won international acclaim since its release. The film features a soundtrack with music by Parliament Funkadelic, The O’Jays, War and many others. (STRAND RELEASING)
About the Exhibit
Over the last 25 years, pioneering artist and filmmaker Isaac Julien (b. 1960, London) has created immersive, multichannel video installations. Celebrated for his poetic visual narratives, Julien explores power, politics, and personal experience through the lens of race, class, gender, and sexuality. Featuring 10 major video installations made between 1999 and 2022, alongside select early single-channel films including his iconic Looking for Langston (1989), this exhibition is the first comprehensive survey of Julien’s work in a museum setting and his first retrospective in the United States. The works’ themes range from global migration to the collection and appropriation of African artists and art by Western museums to the celebration of cultural figures who overcame racial oppression. Shot across Europe, Africa, the Caribbean, the Americas, and Asia, Julien’s works untangle the complex web of post-colonial conditions that has shaped the lives of individuals and societies across the globe. (FINE ARTS MUSEUMS OF SAN FRANCISCO)
Suburban dad Craig (Tim Robinson) falls hard for his charismatic new neighbor (Paul Rudd), as Craig’s attempts to make an adult male friend threaten to ruin both of their lives.
In New York City in 1987, a handsome, young urban professional, Patrick Bateman (Christian Bale), lives a second life as a gruesome serial killer by night. The cast is filled by the detective (Willem Dafoe), the fiance (Reese Witherspoon), the mistress (Samantha Mathis), the coworker (Jared Leto), and the secretary (Chloë Sevigny). This is a biting, wry comedy examining the elements that make a man a monster.
Suburban dad Craig (Tim Robinson) falls hard for his charismatic new neighbor (Paul Rudd), as Craig’s attempts to make an adult male friend threaten to ruin both of their lives.
In this cult classic, sweethearts Brad (Barry Bostwick) and Janet (Susan Sarandon), stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter (Tim Curry), a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker (Meat Loaf) and a creepy butler (Richard O'Brien). Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named "Rocky."
After learning that a stranger has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie Lachance (Wil Wheaton), Vern Tessio (Jerry O'Connell), Chris Chambers (River Phoenix) and Teddy Duchamp (Corey Feldman) encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
Suburban dad Craig (Tim Robinson) falls hard for his charismatic new neighbor (Paul Rudd), as Craig’s attempts to make an adult male friend threaten to ruin both of their lives.
Hotshot television anchorman Ron Burgundy (Will Ferrell) welcomes upstart reporter Veronica Corningstone (Christina Applegate) into the male-dominated world of 1970s broadcast news -- that is, until the talented female journalist begins to outshine Burgundy on air. Soon he grows jealous, begins a bitter feud with Veronica and eventually makes a vulgar slip on live TV that ruins his career. However, when an outrageous story breaks at the San Diego Zoo, Ron may get a chance to redeem himself.
